Showing results for "ya chen chen"
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Women in Chinese Martial Arts Films of the New Millennium
Narrative Analyses and Gender Politics
2012
EN
Women and Gender in Chinese Martial Arts Films of the New Millennium, by Ya-chen Chen, is an excavation of underexposed gender issues focusing mainly on contradictory and troubled feminism in the film narratives. In the cinematic world of martial arts films, one can easily find representations of women of Ancient China released from the constraints of patriarchal social order to revel in a dreamlike space of their own. They can develop themselves, protect themselves, and even defeat or con...
Women and Gender in Contemporary Chinese Societies
Beyond Han Patriarchy
2013
EN
Recent attention to historical, geographic, and class differences in the studies of women and gender in China has expanded our understanding of the diversity and complexity of gendered China. Nevertheless, the ethnic dimension of this subject matter remains largely overlooked, particularly concerning women’s conditions and gender status. Consequently, the patriarchy and its oppression of women among the Han, the ethnic majority in China, are often inaccurately or erroneously associated wit...
(En)Gendering Taiwan
The Rise of Taiwanese Feminism
- Series -
- Social Sciences (R0)
2017
EN
This book highlights the diversity and richness of non-Mainland China and Taiwan-oriented gender issues from a unique Taiwanese perspective, in contrast to previous studies that have often placed Taiwanese gender issues under the huge umbrella of Mainland Chinese, Communist Chinese, or P.R.C. women’s and gender studies. In a follow-up dialogue to and with Liu’s, Karl’s, and Ko’s The Birth of Chinese Feminism, this book looks at the various metaphorical details of that “birth” and the diffe...
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2009
EN
This is the most serious study to date on the topic of male same-sex relations in China during the early twentieth century, illuminating male same-sex relations in many sites: language, translated sexological writings, literary works, tabloid newspapers, and opera. Documenting how nationalism and colonial modernity reconfigured Chinese discourses on sex between men in the early twentieth century, Wenqing Kang has amassed a wealth of material previously overlooked by scholars, such as the e...
New Modern Chinese Women and Gender Politics
The Centennial of the End of the Qing Dynasty
2014
EN
Accessible
The past century witnessed dramatic changes in the lives of modern Chinese women and gender politics. Whilst some revolutionary actions to rectify the feudalist patriarchy, such as foot-binding and polygyny were first seen in the late Qing period; the termination of the Qing Dynasty and establishment of Republican China in 1911-1912 initiated truly nation-wide constitutional reform alongside increasing gender egalitarianism. This book traces the radical changes in gender politics in China,...
- Translated by
- Louis Swaim
2012
EN
The publication in 1934 of Yang Chengfu's book, Essence and Applications of Taijiquan (Taijiquan Tiyong Quanshu) marked a milestone in the modern evolution of the art of taijiquan. Using what is best-termed demonstration narrative, the author presents form postures and suggested applications from his own perspective, as he performed them. This methodology renders Yang Chengfu's direct, hands-on teaching of the art with such immediacy and liveliness that the reader experiences the master’s ...
- Book 9 -
- New Approaches to Asian History
2011
EN
Gender and sexuality have been neglected topics in the history of Chinese civilization, despite the fact that there is a massive amount of historical evidence on the subject. China's late imperial government was arguably more concerned about gender and sexuality among its subjects than any other pre-modern state. How did these and other late imperial legacies shape twentieth-century notions of gender and sexuality in modern China? Susan Mann answers this by focusing on state policy, ideas ...
The South Korean Film Renaissance
Local Hitmakers, Global Provocateurs
- Series -
- Wesleyan Film
2011
EN
For the past decade, the Korean film industry has enjoyed a renaissance. With innovative storytelling and visceral effects, Korean films not only have been commercially viable in the domestic and regional markets but also have appealed to cinephiles everywhere on the international festival circuit. This book provides both an industrial and an aesthetic account of how the Korean film industry managed to turn an economic crisis—triggered in part by globalizing processes in the world film ind...
The New Emperors
Power and the Princelings in China
2014
EN
China has become the powerhouse of the world economy and home to 1 in 5 of the world's population, yet we know almost nothing of the people who lead it. How does one become the leader of the world's newest superpower? And who holds the real power in the Chinese system? In The New Emperors, the noted China expert Kerry Brown journeys deep into the heart of the secretive Communist Party. China's system might have its roots in peasant rebellion but it is now firmly under the control of a powe...
From the Soil
The Foundations of Chinese Society
1992
EN
This classic text by Fei Xiaotong, China's finest social scientist, was first published in 1947 and is Fei's chief theoretical statement about the distinctive characteristics of Chinese society. Written in Chinese from a Chinese point of view for a Chinese audience, From the Soil describes the contrasting organizational principles of Chinese and Western societies, thereby conveying the essential features of both. Fei shows how these unique features reflect and are reflected in the...
Farewell My Concubine
A Queer Film Classic
- Series -
- Queer Film Classics
2010
EN
Helen Hok-Sze Leung: Helen Hok-Sze Leung is an Associate Professor in Gender, Sexuality & Women's Studies at Simon Fraser University in Burnaby, BC, Canada. She has published widely on queer cinema and is the author of Undercurrents: Queer Culture and Postcolonial Hong Kong (UBC Press, 2008).
New Masters, New Servants
Migration, Development, and Women Workers in China
2008
EN
On March 9, 1996, tens of thousands of readers of a daily newspaper in China’s Anhui province saw a photograph of two young women at a local long-distance bus station. Dressed in fashionable new winter coats and carrying luggage printed with Latin letters, the women were returning home from their jobs in one of China’s large cities. As the photo caption indicated, the image represented the “transformation of migrant women”; the women’s “transformation” was signaled by their status as consu...











