Winner of the Porter Prize, this classic study thoroughly profiles the corporate elite of late twentieth-century Canada, within a global context. It traces the fundamental changes in the structure of corporate power in Canada since the mid-1970s and highlights such key issues as the place of Canadian corporate power in global context, the westward shift of Canadian corporate power, and the emergence of a North American corporate elite. The book opens with a survey of corporate power and disc...

Architectural Type and Character provides an alternative perspective to the current role given to history in architecture, reunifying architectural history and architectural design to reform architectural discourse and practice. Historians provide important material for appreciating buildings and guiding those who produce them. In current histories, a building is the product of a time, its form follows its function, irresistible influences produce it, and style, preferably novel, ...

This book brings to light central topics that are neglected in current histories and theories of architecture and urbanism. These include the role of imitation in earlier centuries and its potential role in present practice; the necessary relationship between architecture, urbanism and the rural districts; and their counterpart in the civil order that builds and uses what is built. The narrative traces two models for the practice of architecture. One follows the ancient model in which the ...

Global Film Color: The Monopack Revolution at Midcentury explores color filmmaking in a variety of countries and regions including India, China, Japan, and Russia, and across Europe and Africa. Most previous accounts of color film have concentrated on early 20th century color processes and Technicolor. Far less is known about the introduction and application of color technologies in the period from the mid-1940s to the 1980s, when photochemical, “monopack” color stocks came to dom...

In 1968, Suzuki Seijun—a low-budget genre filmmaker known for movies including Branded to Kill, Tokyo Drifter, and Youth of the Beast—was unceremoniously fired by Nikkatsu Studios. Soon to be known as the “Suzuki Seijun Incident,” his dismissal became a cause for leftist student protestors and a burgeoning group of cinephiles to rally around. His films rapidly emerged as central to debates over politics and aesthetics in Japanese cinema.William Carroll of...

Contemporary Japanese horror is deeply rooted in the folklore of its culture, with fairy tales-like ghost stories embedded deeply into the social, cultural, and religious fabric. Ever since the emergence of the J-horror phenomenon in the late 1990s with the opening and critical success of films such as Hideo Nakata’s The Ring (Ringu, 1998) or Takashi Miike’s Audition (Ôdishon, 1999), Japanese horror has been a staple of both film studies and Western culture. Scholars and fans alike through...

In 1968, Suzuki Seijun—a low-budget genre filmmaker known for movies including Branded to Kill, Tokyo Drifter, and Youth of the Beast—was unceremoniously fired by Nikkatsu Studios. Soon to be known as the “Suzuki Seijun Incident,” his dismissal became a cause for leftist student protestors and a burgeoning group of cinephiles to rally around. His films rapidly emerged as central to debates over politics and aesthetics in Japanese cinema.William Carroll of...

Remaking Media is a unique and timely reading of the contemporary struggle to democratize communication.With a focus on activism directed towards challenging and changing media content, practices and structures, the book explores the burning question: What is the political significance and potential of democratic media activism in the western world today?Taking an innovative approach, Robert Hackett and William Carroll pay attention to an emerging social movement t...

This is a futuristic short story about the problem of dumping in the air. Author sees the problem in the near future when countries do all the recycling on other planets. This is an illustrated version of the story, with over 15 original illustrations.

Solomon's Orbit by William Carroll.

Who created the Universe? Is a creator even necessary? Can science explain how the Universe came into being without reference to a creator God? This eBook explores these ideas and the arguments that have been brought into sharp focus by Stephen Hawking's claim that his cosmological model left nothing for a creator to do. Dr Carroll examines the Church's teaching on creation from Augustine and Aquinas to the present and explains why, without a creator God, science itself would not exist.

In this engaging series of lectures, Carroll William Westfall, the University of Notre Dame's Frank Montana Professor of Architecture, delves into the classical principles of Western architecture. Exploring features such as ornamentation, decoration, and innovation, Professor Westfall shows how architecture is derived from the very principles that form the cornerstones of our civilization -- and, with scholarly precision; he also demonstrates how this field of endeavor is rooted in nature ...