Bringing together in English translation eleven Francophone African plays dating from 1970 to 2021, this essential collection includes satirical portraits of colonizers and their collaborators (Bernard Dadié’s Béatrice du Congo; Sony Labou Tansi’s I, Undersigned, Cardiac Case; Sénouvo Agbota Zinsou’s We’re Just Playing) alongside contemporary works questioning diasporic identity and cultural connections (Koffi Kwahulé’s SAMO: A Tribute to Basquiat and Pe...

The expression "littérature migrante," coined by Québécois critics in the mid-1980s, reflected the emerging body of literary works written by recent immigrants to the province. Redefining the concept of migrancy, Subha Xavier’s The Migrant Text argues that global movements of people have fundamentally changed literary production over the past thirty years.Bringing together a corpus of recent novels by immigrants to France and Quebec, Xavier suggests that these diverse work...

With the perspective of a walker moving through a fluid landscape of neighbourhoods and eras Sherry Simon experiences Montreal as a voyage across languages. She traces an evocative history of literary passages across familiar sites - the mythical boulevard Saint-Laurent Mile End Mont Royal - as she follows adventurous cultural translators such as Malcolm Reid A.M. Klein and Pierre Anctil and contemporary writer-translators such as Gail Scott Erin Moure Jacques Brault Nicole Brossard and Emile...

In a brilliant history of a turbulent time and place Mills pulls back the curtain on the decades activists and intellectuals showing their engagement both with each other and with people from around the world. He demonstrates how activists of different backgrounds and with different political aims drew on ideas of decolonization to rethink the meanings attached to the politics of sex race and class and to imagine themselves as part of a broad transnational movement of anti-colonial and anti-i...

In National Performance, Erin Hurley examines the complex relationship between performance and national identity. How do theatrical performances represent the nation in which they were created? How is Quebecois performance used to define Quebec as a nation and to cultivate a sense of 'Quebec-ness' for audiences both within and outside the province? In exploring Expo 67, the critical response to Michel Tremblay's Les Belles Soeurs, Carbone 14's image-theatre, Marco Micone'...

The French revolts of May 1968, the largest general strike in twentieth-century Europe, were among the most famous and colourful episodes of the twentieth century. Julian Bourg argues that during the subsequent decade the revolts led to a remarkable paradigm shift in French thought - the concern for revolution in the 1960s was transformed into a fascination with ethics. Challenging the prevalent view that the 1960s did not have any lasting effect, From Revolution to Ethics demonstrates tha...

Madame de Pompadour's famous quip, "Après nous, le deluge," serves as fitting inspiration for this lively discussion of postwar French intellectual and cultural life. Over the past thirty years, North American and European scholarship has been significantly transformed by the absorption of poststructuralist and postmodernist theories from French thinkers. But Julian Bourg's seamlessly edited volume proves that, historically speaking, French intellecutal and cultural life since World War Tw...

In the Museum of Man offers new insight into the thorny relationship between science, society, and empire at the high-water mark of French imperialism and European racism. Alice L. Conklin takes us into the formative years of French anthropology and social theory between 1850 and 1900; then deep into the practice of anthropology, under the name of ethnology, both in Paris and in the empire before and especially after World War I; and finally, into the fate of the disciplin...

This work treats the European political philosophy that has engendered the Nation-State concept -- considered to be the logical evolution of human history as a linear periodization into the Modern State. This Modern State concept is treated as the end of history in liberal democratic theory, in spite of it remaining a European phenomenon. Where it has been imposed beyond the European political culture it has provoked a plague of civil wars and occupations, such as in Palestine. In Europe i...

Throughout most of his career, Michel Foucault consistently refused to say much about himself and was reluctant to be defined in either professional or personal terms. His stance was ‘Do not ask who I am, and do not ask me to remain the same’. In the last years of his life, he changed his stance, gave many interviews and began to speak of an 'aesthetics of existence' in which ‘the life’ and ‘the works’ merged into one.In this new biography and critical work, David Macey argues that...

In France as elsewhere in recent years, legislative debates over single-parent households, same-sex unions, new reproductive technologies, transsexuality, and other challenges to long-held assumptions about the structure of family and kinship relations have been deeply divisive. What strikes many as uniquely French, however, is the extent to which many of these discussions—whether in legislative chambers, courtrooms, or the mass media—have been conducted in the frequently ...

From a Nation Torn provides a powerful critique of art history's understanding of French modernism and the historical circumstances that shaped its production and reception. Within art history, the aesthetic practices and theories that emerged in France from the late 1940s into the 1960s are demarcated as postwar. Yet it was during these very decades that France fought a protracted series of wars to maintain its far-flung colonial empire. Given that French modernism was created du...