Showing results for "simone castaldi"
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Drawn and Dangerous
Italian Comics of the 1970s and 1980s
2010
EN
Exploring an overlooked era of Italian history roiled by domestic terrorism, political assassination, and student protests, Drawn and Dangerous: Italian Comics of the 1970s and 1980s shines a new light on what was a dark decade, but an unexpectedly prolific and innovative period among artists of comics intended for adults.Blurring the lines between high art and popular consumption, artists of the Italian comics scene went beyond passively documenting history and began acti...
- Translated by
- Dean MullaneySimone Castaldi
- Book 1 -
- CORTO MALTESE_USA
2023
EN
The secret of Tristan Bantam: Tristan, who has inherited precious papers that tell of the lost kingdom of Mû, has a dream that portends an apparently incomprehensible fate. At Paramaribo, in the sultry heat of Dutch Guyana, Corto finds himself entangled in a sordid tale about a stolen inheritance, while surrounded by such strange characters as Kerster, an unscrupulous lawyer; Jeremiah Steiner, a former university professor, and Madame Java, “hotel” manager and expert knife...
Corto Maltese
Beyond the Windy Isles
- Translated by
- Simone CastaldiDean Mullaney
- Book 2 -
- CORTO MALTESE_USA
2026
EN
Mushroom Heads begins and ends in Maracaibo, Venezuela, where the antiquarian Levi Colombia finances an expedition to the equatorial Amazon led by Corto Maltese and Professor Steiner, on the trail of the legendary Eldorado. Banana Conga is based on a story by American writer Art Buchwald, taken by Pratt and reworked to explore the idea of a foreign presence forced to leave Mosquito, a small town on the east coast of Honduras. The dangerous and lethal enemy...
Corto Maltese
In Siberia
- Translated by
- Dean MullaneySimone Castaldi
- Series -
- CORTO MALTESE_USA
2026
EN
With this book Pratt leaves behind the short story form he'd used for twenty-one interrelated tales and presents a truly epic graphic novel. In the aftermath of the Russian Revolution and the First World War, Corto Maltese is engaged by the Red Lanterns--a Chinese secret society made up entirely of women--to find an armored train laden with gold that belonged to the last Russian Tsar, Nicholas II. They aren't the only ones lusting after the treasure. The adventure, which shifts from the hi...
Drawn and Dangerous
Italian Comics of the 1970s and 1980s
2010
EN
Exploring an overlooked era of Italian history roiled by domestic terrorism, political assassination, and student protests, Drawn and Dangerous: Italian Comics of the 1970s and 1980s shines a new light on what was a dark decade, but an unexpectedly prolific and innovative period among artists of comics intended for adults.Blurring the lines between high art and popular consumption, artists of the Italian comics scene went beyond passively documenting history and began act...
Corto Maltese
Jack London and Corto Maltese in The Early Years
- Translated by
- Dean MullaneySimone Castaldi
- Book 3 -
- CORTO MALTESE_USA
2026
EN
The protagonist of this tale, actually, is not the 18-year-old Corto, but Rasputin, a deserter from a Siberian rifle regiment, and the writer Jack London, who was a war correspondent in the region at that time. London is already friends with Corto and introduces the sailor to the unpredictable Russian, who even as a young man kills with disconcerting ease and is ready to lie and betray without hesitation. It is, however, "the beginning of a beautiful friendship" that continues throughout t...
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2011
EN
Lessons, demonstrations, definitions, and tips on what to expect in art school, what it means to make art, and how to think like an artist.What is the first thing to learn in art school? “Art can be anything.” The second thing? “Learn to draw.” With 101 Things to Learn in Art School, artist and teacher Kit White delivers and develops such lessons, striking an instructive balance between technical advice and sage concepts. These 101 maxims, meditations, and...
Unnatural Wonders
Essays from the Gap Between Art and Life
2017
EN
Arthur C. Danto's essays not only critique bodies of work but reflect upon art's conceptual evolution as well, drawing for the reader a kind of "philosophical map" indicating how art and the criteria for judging it has changed over the twentieth century. In Unnatural Wonders the renowned critic finds himself at a point when contemporary art has become wholly pluralistic, even chaotic-with one medium as good as another-and when the moment for the "next thing" has already passed. So...
2006
EN
Successful acting must reflect a society’s current beliefs. The men and women who developed each new technique were convinced that previous methods were not equal to the full challenges of their time and place, and the techniques in this book have been adapted to current needs in order to continue to be successful methods for training actors. The actor’s journey is an individual one, and the actor seeks a form, or a variety of forms, of training that will assist in unlocking his own cr...
Federico Fellini
His Life and Work
2007
EN
A lively and authoritative journey into the world of a cinema masterWith the revolutionary 8 1/2, Federico Fellini put his deepest desires and anxieties before the lens in 1963, permanently impacting the art of cinema in the process. Now, more than forty years later, film critic and Fellini confidant Tullio Kezich has written the work by which all other biographies of the filmmaker are sure to be measured. In this moving and intimately revealing account of ...
Italian Neorealism
Rebuilding the Cinematic City
- Series -
- Short Cuts
2006
EN
Italian Neorealism: Rebuilding the Cinematic City is a valuable introduction to one of the most influential of film movements. Exploring the roots and causes of neorealism, particularly the effects of the Second World War, as well as its politics and style, Mark Shiel examines the portrayal of the city and the legacy left by filmmakers such as Rossellini, De Sica, and Visconti. Films studied include Rome, Open City (1945), Paisan (1946), The Bicycle Thief
La Dolce Morte
Vernacular Cinema and the Italian Giallo Film
2006
EN
With the exception of die-hard aficionados of European or Italian horror cinema, most people may not have heard of giallo cinema or have seen many films in this subgenre of horror. Most academic film studies tend to ignore horror cinema in general and the giallo specifically. Critics often deride these films, which reveal more about the reviewers' own prejudices than any problem with the works themselves. As a counter to such biases, Mikel J. Koven argues for an alternati...











