Showing results for "peggy knapp"
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- Routledge Revivals
2013
EN
Accessible
First published in 1990, Chaucer and the Social Contest takes a fresh view of The Canterbury Tales, by placing the storytelling contest among the Canterbury pilgrims within the larger social contests in the changing England of the late fourteenth century. The author focuses on three crucial fields of contention: the division of social duties into the three estates, the controversies around Wycliffite thought and practice, and the roles of women. Drawing on recent literary...
Medieval Romance
The Aesthetics of Possibility
2017
EN
Widely heard and read throughout the middle ages, romance literature has persisted for centuries and has lately re-emerged in the form of speculative fiction, inviting readers to step out of the actual world and experience the intriguing pleasure of possibility.Medieval Romance is the first study to focus on the deep philosophical underpinnings of the genre’s fictional worlds. James F. Knapp and Peggy A. Knapp uniquely utilize Leibniz’s “possible worlds” theory, Kant’s aes...
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- Cambridge Companions to Literature
2009
EN
The medieval period was one of extraordinary literary achievement sustained over centuries of great change, anchored by the Norman invasion and its aftermath, the re-emergence of English as the nation's leading literary language in the fourteenth century and the advent of print in the fifteenth. This Companion spans four full centuries to survey this most formative and turbulent era in the history of literature in English. Exploring the period's key authors - Chaucer, Langland, the Gawain-...
How Soon Is Now?
Medieval Texts, Amateur Readers, and the Queerness of Time
2012
EN
How Soon Is Now? performs a powerful critique of modernist temporal regimes through its revelatory exploration of queer ways of being in time as well as of the potential queerness of time itself. Carolyn Dinshaw focuses on medieval tales of asynchrony and on engagements with these medieval temporal worlds by amateur readers centuries later. In doing so, she illuminates forms of desirous, embodied being that are out of sync with ordinarily linear measurements of everyday life, that...
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- The New Middle Ages
2012
EN
Explores the representation of emotions as psychological concepts and cultural constructs in Geoffrey Chaucer's narrative poetry. McTaggart argues that Chaucer's main works including The Canterbury Tales are united thematically in their positive view of guilt and in their anxiety about the desire for sacrifice and vengeance that shame can provoke.
Chaucer's Feminine Subjects
Figures of Desire in The Canterbury Tales
2012
EN
This study shows how contemporary theory can serve to clarify structures of identity and economies of desire in medieval texts. Bringing the resources of psychoanalytic and poststructuralist theory to bear on Chaucer's tales about women, this book addresses those registers of the Canterbury project that remain major concerns for recent feminist theory: the specificity of feminine desire, the cultural articulation of gender, the logic of sacrifice as a cultural ideal, the structure of misog...
Writing Combat and the Self in Early Modern English Literature
The Pen and the Sword
2011
EN
By examining these competing depictions of combat that coexist in sixteenth-century texts ranging from Arthurian romance to early modern medical texts, this study reveals both the importance of combat in understanding the humanist subject and the contours of the previously neglected pre-modern subject.
2017
EN
This book addresses portrayals of children in a wide array of Chaucerian works. Situated within a larger discourse on childhood, Ages of Man theories, and debates about the status of the child in the late fourteenth century, Chaucer’s literary children—from infant to adolescent—offer a means by which to hear the voices of youth not prominently treated in social history. The readings in this study urge our attention to literary children, encouraging us to think more thoroughly about the Cha...
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- The New Critical Idiom
2004
EN
Accessible
Often derided as an inferior form of literature, 'romance' as a literary mode or genre defies satisfactory definition, dividing critics, scholars and readers alike. This useful guidebook traces the myriad transformations of 'romance' from medieval courtly love to Mills and Boon, and claims that its elusive and complex nature serves as a touchstone for larger questions of literary and cultural theory, such as:How does the history of 'romance' as a category force us to rethink ...
Sovereignty
God, State, and Self
2008
EN
Throughout the history of human intellectual endeavor, sovereignty has cut across the diverse realms of theology, political thought, and psychology. From earliest Christian worship to the revolutionary ideas of Thomas Jefferson and Karl Marx, the debates about sovereignty -- complete independence and self-government -- have dominated our history.In this seminal work of political history and political theory, leading scholar and public intellectual Jean Bethke Elshtain examines the ...
Ventriloquized Voices
Feminist Theory and English Renaissance Texts
2003
EN
Accessible
Patronage, medicine, madness and eroticism. Harvey explores the discourse of power and sexuality in a fascinating range of early modern texts, and examines the use of the feminine voice by male authors.
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- Cambridge Companions to Literature
1998
EN
This volume offers an account of English literary culture in one of its most volatile and politically engaged moments. From the work of Milton and Marvell in the 1650s and 1660s through the brilliant careers of Dryden, Rochester, and Behn, Locke and Astell, Swift and Defoe, Pope and Montagu, the pressures and extremes of social, political, and sexual experience are everywhere reflected in literary texts: in the daring lyrics and intricate political allegories of this age, in the vitriol an...











