In the year 2040, the United States no longer exists. Instead, it's a province of the former Soviet Union, which has been restored to its past glory. And each newborn child is assigned a Designation Number instead of a name.Now, forty years later, a man known only as 77241 escapes into the past in an effort to discover where the world went wrong. When 77241 comes upon footage of Norma Jeane Baker, known throughout the world as Marilyn Monroe, he becomes haunted by her face, so much ...

The Second Five-Year Plan of the Development of the U.S.S.R. (1934) contains a summary of the achievements of the Soviet Union’s First Five-Year Plan and the provisions of the Second Five-Year Plan. As Herbert Morrison says in his introduction, the volume was ‘vetted’ by the Russian authorities and as such is a semi-official view of the Soviet plans, and that students ‘must think and judge for themselves on the first-class issues of economic policy involved’.

After falling down a hole that leads to the center of the earth, a young woman loses her memory but finds herself in the Garden of Eden. It turns out God did not destroy Eden; instead, he hid it from humanity. Here, time has no meaning, no one ages, and there is no death. The creatures of the garden name this mysterious girl Ageyutsa. She soon meets Hootie, a talking owl, and he becomes her faithful companion, leading Ageyutsa on the greatest adventure of her life. After meeting Hootie, Ag...

Coates presents the face in film as a place where transformations begin, reflecting both the experience of modernity and such influential myths as that of Medusa. This is exemplified by a wide range of European and American films, including Ingmar Bergman's Persona .

This book argues theoretically for, and exemplify through critical and historical analysis, the interrelatedness of discourses on scale, distance, identification and doubling in the cinema. It contains analyses of a wide variety of films, including Citizen Kane, The Double Life of Véronique, The Great Gatsby, Gilda, Vertigo and Wings of Desire.

Peter Bradshaw hates technology. He knows hes a throwback to a simpler time, and yet, he also knows he needs the technology he hates to follow his passion. Hes spent the last two decades studying ancient artifacts, specifically Stonehenge, the statues of Easter Island, and the Seven Wonders of the Worldbut most importantly, the Great Pyramid in Egypt. Hes just made an amazing discovery. He found a crystal with the capability of moving objects of great weight, which might explain how the py...

"Everyone who timidly, bombastically, reverently, scholastically--even fraudulently--essays to 'live the life of the mind' should read this book. It's elegant and classy, like caviar and champagne, and like these two items, it's over much too soon." — Los Angeles TimesPulitzer Prize-winning author Annie Dillard's classic work of literary criticismLiving by Fiction is written for—and dedicated to—people who love literature. Dealing with writers such as Nabokov, Barth, Coover...

For Alain Badiou, films think, and it is the task of the philosopher to transcribe that thinking. What is the subject to which the film gives expressive form? This is the question that lies at the heart of Badiou’s account of cinema.He contends that cinema is an art form that bears witness to the Other and renders human presence visible, thus testifying to the universal value of human existence and human freedom. Through the experience of viewing, the movement of thought that const...

From the four-time Nebula Award–winning author, an indispensable work of science fiction criticism, revised and expanded.Samuel R. Delany's The Jewel-Hinged Jaw appeared originally in 1977, and is now long out of print and hard to find. The impact of its demonstration that science fiction was a special language, rather than just gadgets and green-skinned aliens, began reverberations still felt in science fiction criticism. This edition includes two new essa...

Bringing together twenty-five years of work on what he has called the "historical poetics of cinema," David Bordwell presents an extended analysis of a key question for film studies: how are films made, in particular historical contexts, in order to achieve certain effects? For Bordwell, films are made things, existing within historical contexts, and aim to create determinate effects. Beginning with this central thesis, Bordwell works out a full understanding of ...

In Death 24x a Second, Laura Mulvey addresses some of the key questions of film theory, spectatorship and narrative. New media technologies, such as video and DVD, have transformed the way we experience film, and the viewers’ relationship to film image and cinema’s narrative structure has also been fundamentally altered. These technologies give viewers the means to control both image and story, so that films produced to be seen collectively and followed in a linear fashion may be ...

Why have certain kinds of documentary and non-narrative films emerged as the most interesting, exciting, and provocative movies made in the last twenty years? Ranging from the films of Ross McElwee (Bright Leaves) and Agnès Varda (The Gleaners and I) to those of Abbas Kiarostami (Close Up) and Ari Folman (Waltz with Bashir), such films have intrigued viewers who at the same time have struggled to categorize them. Sometimes described as personal documenta...