“BETWIXT that knowledge which can properly be termed science, and religion a distinction in recent times has been drawn by certain acute thinkers which, if valid, would be fatal to the claim of theology or of a philosophy of a religion to be ranked among the sciences. Science, it is said, deals with nature, religion with the supernatural. But can we know anything of the supernatural, or anything, at most, beyond the bare fact that it is? Is the supernatural accessible to human intelligence...

The aim in preparing this work has been to bring together the best examples of the products of the pulpit through the Christian centuries, and to present these masterpieces in attractive and convenient form. It is believed that they will be found valuable as instruction to ministers of to-day. They should also be helpful to others who, tho not preachers, yet seek reading of this kind for the upbuilding of personal character and for strengthening their Christian faith.The sermons ha...

Theatre Craft is an all-encompassing, practical guide for anyone working in the theatre, from the enthusiastic amateur to the committed professional. With entries arranged alphabetically, Theatre Craft offers advice on all areas of directing, from Acting, Adaptation, and Accent to Sound Effects, Superstition, Trap Doors and Wardrobe.Enlightening and entertaining by turns, the celebrated director John Caird shares his profound knowledge of the stage to provide an i...

“BETWIXT that knowledge which can properly be termed science, and religion a distinction in recent times has been drawn by certain acute thinkers which, if valid, would be fatal to the claim of theology or of a philosophy of a religion to be ranked among the sciences. Science, it is said, deals with nature, religion with the supernatural. But can we know anything of the supernatural, or anything, at most, beyond the bare fact that it is? Is the supernatural accessible to human intelligence...

To mark the 200th anniversary of the birth of Charles Dickens, a select group of his family and most ardent admirers from the worlds of literature and entertainment; including Joanna Lumley and Simon Callow, gathered in Highgate Cemetery, burial place of many of the Dickens family, to hear readings from his work introduced by his great-great-grandson Mark Dickens and discuss his life.

"This is a book about making art. Ordinary art. Ordinary art means something like: all art not made by Mozart. After all, art is rarely made by Mozart-like people; essentially—statistically speaking—there aren't any people like that. Geniuses get made once-a-century or so, yet good art gets made all the time, so to equate the making of art with the workings of genius removes this intimately human activity to a strangely unreachable and unknowable place. For all practical ...

In the perennial best-seller Art & Fear, Ted Orland (with David Bayles) examined the obstacles that artists encounter each time they enter their studio and stand before a new blank canvas. Now, in The View From The Studio Door, Orland turns his attention to broader issues that stand to either side of that artistic moment of truth.In a text marked by grace, brevity and humor, Orland argues that when it comes to art making, theory and practice are always intertwined...

The Director’s Craft is a unique and completely indispensable step-by-step guide to directing for the stage.Written by one of the most adventurous and respected directors working today, this book will be an essential item in every student and practitioner’s kitbag. It provides detailed assistance with each aspect of the varied challenges facing all theatre directors, and does so with startling clarity. It will inspire everyone, from the beginner just starting out to the ex...

An informative, fun and rather charming essay on the nature and history of one of life’s most desirable assets, Charm, by renowned culture and design critic, Stephen Bayley.Aiming to wound, a schoolmaster wrote on future design-guru Stephen Bayley’s last ever school report “Charm alone will not get him through”. Bayley took this to mean that an affable, genial, outgoing nature was not enough to ensure survival in a harsh world of statistical performance. But survive and flourish is...

Musicals are the most popular form of stage entertainment today, with the West End and Broadway dominated by numerous long-running hits. But for every Wicked or Phantom of the Opera, there are dozens of casualties that didn't fare quite so well. In this book, Julian Woolford explores the musical-theatre canon to explain why and how some musicals work, why some don't, and what you should (and shouldn't) do if you're thinking of writing your own.Drawing on his exper...

Brimming with advice and techniques, this essential reference for book- and songwriters clearly explains the fundamentals of the three crafts of a musical-book, music, and lyrics. Using copious examples from classic shows, Frankel has created the quintessential musical writers' how-to. Among the topics:definitions of musical theater; differences between musical books and straight plays and between poetry and lyrics; what a score is and how it develops; how to write for the voice; and how t...

A guide to the hidden workings of plays and the trade secrets that govern their writing - by the acclaimed playwright Steve Waters.Drawing on a wide range of drama, both historical and modern, Waters takes the reader through the key elements of dramatic writing - scenes, acts, space, time, characters, language and images - to show how a play is more than the sum of its parts, with as much inner vitality as a living organism.Almost uniquely amongst accounts of playwriting, W...