An insightful biography of an unassuming literary scholar—and spy—who transformed postwar American culture.Although his impact on twentieth-century American cultural life was profound, few people know the story of Norman Holmes Pearson. Pearson's life embodied the Cold War alliances among US artists, scholars, and the national-security state that coalesced after World War II. As a Yale professor and editor, he helped legitimize the study of American culture and shap...

Adopting a unique historical approach to its subject and with a particular focus on the institutions involved in the creation, dissemination, and reception of literature, this handbook surveys the way in which the Cold War shaped literature and literary production, and how literature affected the course of the Cold War. To do so, in addition to more 'traditional' sources it uses institutions like MFA programs, university literature departments, book-review sections of newspapers, publishin...

European intellectuals of the 1950s dismissed American culture as nothing more than cowboy movies and the A-bomb. In response, American cultural diplomats tried to show that the United States had something to offer beyond military might and commercial exploitation. Through literary magazines, traveling art exhibits, touring musical shows, radio programs, book translations, and conferences, they deployed the revolutionary aesthetics of modernism to prove—particularly to the leftists whose C...

“Fascists,” “Brownshirts,” “jackbooted stormtroopers”—such are the insults typically hurled at conservatives by their liberal opponents. Calling someone a fascist is the fastest way to shut them up, defining their views as beyond the political pale. But who are the real fascists in our midst?Liberal Fascism offers a startling new perspective on the theories and practices that define fascist politics. Replacing conveniently manufactured myths with surprising and enlightenin...

Winner of the National Book Award: The definitive history of Joe McCarthy, the Hollywood blacklist, and HUAC from a longtime editor of The Nation and former Chair of the Columbia Journalism Review .Drawing on interviews with over one hundred and fifty people who were called to testify before the House Un-American Activities Committee—including Elia Kazan, Ring Lardner Jr., and A...

Lillian Hellman was a giant of twentieth-century letters and a groundbreaking figure as one of the most successful female playwrights on Broadway. Yet the author of The Little Foxes and Toys in the Attic is today remembered more as a toxic, bitter survivor and literary fabulist, the woman of whom Mary McCarthy said, "Every word she writes is a lie, including 'and' and 'the.'" In A Difficult Woman, renowned historian AliceKessler-Harris undertakes a feat f...

Debunking the myth of the "Americanization" of Europe, a noted historian presents an authoritative and engrossing cultural history of how America tried to remake Europe in its own image, and how the Europeans successfully retained their identity in the face of American mass culture. Pells provides a new paradigm for understanding the survival of local and national cultures in a global setting.

Kelley unearths freedom dreams in this exciting history of renegade intellectuals and artists of the African diaspora in the twentieth century. Focusing on the visions of activists from C. L. R. James to Aime Cesaire and Malcolm X, Kelley writes of the hope that Communism offered, the mindscapes of Surrealism, the transformative potential of radical feminism, and of the four-hundred-year-old dream of reparations for slavery and Jim Crow. From'the preeminent historian of black popular cultu...

In 1948, former U.S. State Department official Alger Hiss was accused of being a Soviet spy. Because the statute of limitations on espionage had run out, he was convicted only of perjury. Decades later—after the Hiss trial had been long forgotten by most—archival evidence surfaced confirming the accusations: a public servant with access to classified documents had indeed passed crucial information to the Soviets for more than a decade.Yet many on the Ameri...

Marxism and Culture attempts a history of the approach to literature as practiced by the Communist Party of the United States during the 1930s. It also attempts to set aside the distortion of cultural cold war which routinely labeled anything communist as tendentious and tainted.

During and just after World War II, an influential group of American writers and intellectuals projected a vision for literature that would save the free world. Novels, stories, plays, and poems, they believed, could inoculate weak minds against simplistic totalitarian ideologies, heal the spiritual wounds of global catastrophe, and just maybe prevent the like from happening again. As the Cold War began, high-minded and well-intentioned scholars, critics, and writers from across the politi...

For the last century, many intellectuals and activists responsible for shaping the way we think about sex, crime, government, and even our very history have been fabricating the facts. And yet they have been published, praised, promoted, and protected by a cultural establishment that has its agendas advanced by disinformation, half-truths, and lies.As a student of American intellectual history, Cashill has come to see that much of what is taught about the last century is not merely...