Revolution in the Echo Chamber is a sociohistorical analysis of British and US radio and audio drama from 1919 to the present day. This volume examines the aesthetic, cultural and technical elements of audio drama along with its context within the literary canon. In addition to the form and development of aural drama, Leslie Grace McMurtry provides an exploration of mental imagery generation in relation to its reception and production. Building on historical analysis, Revoluti...

Black women undertook an energetic and unprecedented engagement with internationalism from the late nineteenth century to the 1970s. In many cases, their work reflected a complex effort to merge internationalism with issues of women's rights and with feminist concerns. To Turn the Whole World Over examines these and other issues with a collection of cutting-edge essays on black women's internationalism in this pivotal era and beyond. Analyzing the contours of gender within black internatio...

This book examines media, performance, and the public space as sites of intangible cultural heritage – a heritage that moves beyond physical museums and monuments to encompass film and media, performing arts, oral traditions, social practices, rituals, artifacts, and cultural spaces.Focusing on the current methodological challenges and new frameworks that surround the study of intangible cultural heritage in the public space, this volume explores the ways in which intangible cultur...

Horror Podcasting argues that podcasting, as an aural medium, is about the mind. Horror is an inward-style of storytelling, and yet the reception of the podcast can be an embodied form of listening. This intersection creates conditions for a subject/listener collapse (which results in immersion) as well as a potential listener/creator collapse (listeners move into the roles of creators).The texts (2006- ) discussed in this book ge...