Showing results for "dr gabriel egan"
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- Series -
- Shakespeare and Theory
2015
EN
Combining the latest scientific and philosophical understanding of humankind's place in the world with interpretative methods derived from other politically inflected literary criticism, ecocriticism is providing new insights into literary works both ancient and modern. With case-study analyses of the tragedies, comedies, histories and late romances, this book is a wide-ranging introduction to reading Shakespeare in the light of contemporary ecocritical theory.
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- Series -
- Cambridge Companions to Literature
2001
EN
This book offers a comprehensive, readable and authoritative introduction to the study of Shakespeare, by means of nineteen newly commissioned essays. An international team of prominent scholars provide a broadly cultural approach to the chief literary, performative and historical aspects of Shakespeare's work. They bring the latest scholarship to bear on traditional subjects of Shakespeare study, such as biography, the transmission of the texts, the main dramatic and poetic genres, the st...
2012
EN
Shakespeare scholars and cultural theorists critically investigate the relationship between early modern culture and contemporary political and technological changes concerning the idea of the 'human.' The volume covers the tragedies King Lear and Hamlet in particular, but also provides posthumanist readings of other Shakespearean plays.
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- Cambridge Companions to Literature
2009
EN
Which plays are included under the heading 'Shakespeare's last plays', and when does Shakespeare's 'last' period begin? What is meant by a 'late play', and what are the benefits in defining plays in this way? Reflecting the recent growth of interest in late studies, and recognising the gaps in accessible scholarship on this area, in this book leading international Shakespeare scholars address these and many other questions. The essays locate Shakespeare's last plays - single and co-authore...
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- Cambridge Companions to Literature
2010
EN
Featuring essays by major international scholars, this Companion combines analysis of themes crucial to Renaissance tragedy with the interpretation of canonical and frequently taught texts. Part I introduces key topics, such as religion, revenge, and the family, and discusses modern performance traditions on stage and screen. Bridging this section with Part II is a chapter which engages with Shakespeare. It tackles Shakespeare's generic distinctiveness and how our familiarity with Shakespe...
The Immaterial Book
Reading and Romance in Early Modern England
2013
EN
In romances—Renaissance England’s version of the fantasy novel—characters often discover books that turn out to be magical or prophetic, and to offer insights into their readers’ selves. The Immaterial Book examines scenes of reading in important romance texts across genres: Spenser’s Faerie Queene, Shakespeare’s Cymbeline and The Tempest, Wroth’s Urania, and Cervantes’ Don Quixote. It offers a response to “material book studies” by cal...
2013
EN
Accessible
Demystifying and contextualising Shakespeare for the twenty-first century, this book offers both an introduction to the subject for beginners as well as an invaluable resource for more experienced Shakespeareans.In this friendly, structured guide, Robert Shaughnessy:introduces Shakespeare’s life and works in context, providing crucial historical backgroundlooks at each of Shakespeare’s plays in turn, considering issues of historical context, contem...
Old, Bold and Wont Be Told
Shakespeares Amazing Ageing Ladies
2013
EN
Thoroughly researched and accessible, ‘Old, Bold and Won’t Be Told’ considers closely Shakespeare’s development of his older female characters, who defy conventional stereotypes and act with power, influence and creativity. Shakespeare refers to standard characteristics of the ageing woman – her loss of looks, ‘inappropriate’ sexuality, flouting of male governance and inability to hold her tongue – but, unlike his contemporaries, also further develops and celebrates the strength and import...
Supernatural Environments in Shakespeare's England
Spaces of Demonism, Divinity, and Drama
2011
EN
Bringing together recent scholarship on religion and the spatial imagination, Kristen Poole examines how changing religious beliefs and transforming conceptions of space were mutually informative in the decades around 1600. Supernatural Environments in Shakespeare's England explores a series of cultural spaces that focused attention on interactions between the human and the demonic or divine: the deathbed, purgatory, demonic contracts and their spatial surround, Reformation cosmologies and...
2016
EN
Your complete introduction to ShakespeareWilliam Shakespeare has been hailed as one of the greatest thinkers of all time, one of the world's finest artists, poets and dramatists.Shakespeare: A Complete Introduction introduces and explains the plays by looking at how they work, taking you on a journey through the genres of comedy, history and tragedy. The best known and most popular plays are discussed in detail and even plays in which Shakes...
2014
EN
Allison P. Hobgood tells a new story about the emotional experiences of theatregoers in Renaissance England. Through detailed case studies of canonical plays by Shakespeare, Jonson, Kyd and Heywood, the reader will discover what it felt like to be part of performances in English theatre and appreciate the key role theatregoers played in the life of early modern drama. How were spectators moved - by delight, fear or shame, for example - and how did their own reactions in turn make an impact...
Shakespeare's Ideas
More Things in Heaven and Earth
- Book 36 -
- Blackwell Great Minds
2011
EN
An in-depth exploration, through his plays and poems, of the philosophy of Shakespeare as a great poet, a great dramatist and a "great mind".Written by a leading Shakespearean scholarDiscusses an array of topics, including sex and gender, politics and political theory, writing and acting, religious controversy and issues of faith, skepticism and misanthropy, and closureExplores Shakespeare as a great poet, a great dramatist and a "great mind"











