The Last Picture ShowDuring the late 1960s, three men met in Monument Valley, the heart, soul, and brain of our vast southwest. One was John Ford, an aging director who over the past half-century had created the greatest body of cinematic work dealing with the frontier experience; i.e., 'westing.' His hope was to create one final epic that would serve as an epilogue to all he'd done before, thereby setting his legacy in perspective. Joining him, as he had many time...

LOST RIDERS OF THE HOLLYWOOD SAGE . . .Fans of Western movies have heard of (and likely seen) the key genre classics: Shane, High Noon, The Searchers, Stagecoach, Red River, Tombstone, and Unforgiven, to name a few. But how many armchair cowboys and cowgirls are aware that thirty years previous to Clint Eastwood's film, a similarly named movie, The Unforgiven, featured two top 1950s Western stars, Burt Lancaster and Audie Murphy? Or that the story told in Tombstone earlier appeared...

As properties of DC comics continue to sprout over the years, narratives that were once kept sacrosanct now spill over into one another, synergizing into one bona fide creative Universe. Intended for both professional pop culture researchers and general interest readers, this collection of essays covers DC Universe multimedia, including graphic novels, video games, movies and TV shows. Each essay is written by a recognized pop culture expert offering a distinct perspective on a wide variet...

Whether you judge by box office receipts, industry awards, or critical accolades, science fiction films are the most popular movies now being produced and distributed around the world. Nor is this phenomenon new. Sci-fi filmmakers and audiences have been exploring fantastic planets, forbidden zones, and lost continents ever since George Méliès' 1902 film A Trip to the Moon. In this highly entertaining and knowledgeable book, film historian and pop culture expert Douglas Brode picks the one...

An anthology of essays that deal with Witchcraft and the figure of the Witch, as they have been presented in motion pictures, television, and popular culture, in order to understand how, why, and when the common anti-Witchcraft/ anti-Witch attitude evolved.Mainstream tales of Witchcraft, including modern movies, novels, TV series, and other examples of our popular culture, more often than not express the traditional notion of a Witch as a wild, dangerous, untamable...

In his latest iconoclastic work, Douglas Brode—the only academic author/scholar who dares to defend Disney entertainment—argues that "Uncle Walt's" output of films, television shows, theme parks, and spin-off items promoted diversity decades before such a concept gained popular currency in the 1990s. Fully understood, It's a Small World—one of the most popular attractions at the Disney theme parks—encapsulates Disney's prophetic vision of an appealingly varied world, each race respecting t...

In 1977, Star Wars blazed across the screen to become one of the highest grossing and most beloved movies of all time, spawning an unprecedented merchandising phenomenon. It was followed by two sequels and three prequels, all of which became blockbusters. Comic books, novels, graphic novels, and magazines devoted to the films added to the mythology of George Lucas’s creation. Despite the impact of the franchise on popular culture, however, discussion of the films from a scholarly perspecti...

2009 marks the fiftieth anniversary of The Twilight Zone, arguably one of the most popular television shows ever. Drawing on photographs and personal remembrances, Rod Serling's widow, Carol, gives commentary on some of the series' most memorable episodes. Veteran film historian Douglas Brode gives in-depth descriptions of these episodes and why they were so resonant with viewers.

Focusing on twenty-first century Western films, including all major releases since the turn of the century, the essays in this volume cover a broad range of aesthetic and thematic aspects explored in these films, including gender and race. As diverse contributors focus on the individual subgenres of the traditional Western (the gunfighter, the Cavalry vs. Native American conflict, the role of women in Westerns, etc.), they share an understanding of the twenty-first century Western may be u...

While political liberals celebrated the end of “cowboy politics” with the election of Barack Obama to the presidency, political conservatives in the Tea Party and other like-minded groups still vociferously support “cowboy” values such as small government, low taxes, free-market capitalism, and the right to bear arms. Yet, as Douglas Brode argues in this paradigm-shifting book, these supposedly cowboy or “Old West” values hail not so much from the actual American frontier of the nineteenth...

With his thumbprint on the most ubiquitous films of childhood, Walt Disney is widely considered to be the most conventional of all major American moviemakers. The adjective "Disneyfied" has become shorthand for a creative work that has abandoned any controversial or substantial content to find commercial success.But does Disney deserve that reputation? Douglas Brode overturns the idea of Disney as a middlebrow filmmaker by detailing how Disney movies played a key role in transformi...

As one of the most influential shows of all time, Star Trek continues to engage fans around the world. But its cultural impact has grown far beyond the scope of the original seventy-nine episodes. The show spawned an unprecedented progeny, beginning with Star Trek: The Next Generation, followed by three additional series of space exploration. Film versions featuring Captain Kirk, Mr. Spock, and other original crew members first appeared in 1979, followed by a number of successful sequels a...