Multi-award-winning poet Don McKay returns with a startling collection of new poems, his first since his Griffin Poetry Prize winning book, Strike/SlipDon McKay is known, among other things, as Canada's foremost poet of the natural world. Readers have come to expect a playful extravagance in his poetry. Most recently, he has opened himself to the mysteries of geologic wonder. "Who needs ghosts when matter /nonchalantly haunts us," he writes. In his new book, perhaps his mo...

“There’s a place / between desire and memory, some back porch / we can neither wish for nor recall,” writes Don McKay in Apparatus. The poems in this collection home in on that place – those keenly desired places – where language will not reach. Apparatus is Don McKay’s first collection of new poems since his 1991 award-winning Night Field. It is a passionate engagement with nature and a powerful critique of human assaults on wilderness which, for McKay, is more ...

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The poetry of Don McKay is renowned for its piquant wit, lyric emotion, and pitch-perfect vernacular music. His work has received national acclaim and the recognition of many awards, including the Governor General’s Award for Poetry, which he has won twice, and, most recently, from the prestigious and internationally known Griffin Poetry Prize, for which his most recent book was a finalist.Camber is the lilt in the physics of flight, the anti-gravitational alchemy of both ...

A prose/poetry sequence concerning the hanged man of London, Ontario, by the award-winning author of Birding, or Desire; Sanding Down This Rocking Chair on a Windy Night; Night Field; Apparatus and Another Gravity.

In this extraordinary collection from one of our most celebrated poets, Don McKay walks the strike-slip fault between poetry and landscape, sticks its strange nose into the cold silence of geologic time, meditates on marble, quartz and gneiss, and attends to the songs of ravens and thrushes and to the clamour of the industrialized bush. Behind these poems lies the urge to engage the tectonics of planetary dwelling with the rickety contraption of language, and to register the stress, sheer ...

From one of Canada’s most acclaimed poets and the winner of the Governor General’s Award for Poetry.This book, Don McKay’s ninth collection, practises "the dark art of reflection" – which, as one of the poems tells us, whether boldly or capriciously, could not have existed without the moon – as it moves ever more deeply into ideas of home.

This extraordinary book is a celebration –of the quirky plenitude of nature, and of the deep rhythms of family life. Don McKay writes with great technical panache. But his attention to what he loves is so constant and so generous that we are left, not with mere virtuosity, but with a world renewed.

"[McKay's] exuberantly musical and shrewd poems are ecological in the fullest sense of the word: they seek to elucidate our relationships with our fragile dwelling places both on the earth and in our own skins." --New York Times Book ReviewE.J. Pratt Family Poetry Award, WinnerAn extraordinary collection of poems from Griffin Poetry Prize winner Don McKay.Old joke: “What’s the difference between a lurch and a dance step?”

Petra loves rocks, and collects them with a passion. She keeps them in her bedroom, in the kitchen cupboards, between the cushions of the living-room sofa, even in the bathroom medicine cabinet. Petra’s parents do not love rocks. At least, not as much as Petra does. To convince her to winnow down her collection, her parents offer her a wonderful treasure—a rock box, with a selection of the rocks and minerals found in her home province of Newfoundland and Labrador. But is one of those rocks...

A prose/poetry sequence concerning the hanged man of London, Ontario, by the award-winning author of Birding, or Desire; Sanding Down This Rocking Chair on a Windy Night; Night Field; Apparatus and Another Gravity.

The sixth book of poems by Don McKay. In Sanding Down This Rocking Chair on a Windy Night, McKay again demonstrates his ability to transorm the familiar into the breathtaking, and to touch us deeply with words.These poems show just how much McKay can do with language. In the long title poem, readers will find themselves listening to a voice that makes them feel welcome and at home, yet as renewed as if they had slipped into new skins -- while the stand-up comedy of...