Masterminded by women, the Red Army Faction (RAF) terrorized West Germany from the 1970s to the 1990s. Afterimages of its leaders persist in the works of pivotal artists and writers, including Gerhard Richter, Elfriede Jelinek, and Slavoj iek. Why were women so prominent in the RAF? What does the continuing cultural response to the German armed struggle tell us about the representation of violence, power, and gender today? Engaging critical theory, Charity Scribner addresses these questi...

This is the first comprehensive critical examination in any language of the German national tradition of historiography. It analyzes the basic theoretical assumptions of the German historians of the nineteenth and twentieth centuries and relates these assumptions to political thought and action.The German national tradition of historiography had its beginnings in the reaction against the Enlightenment and the French Revolution of 1789. This historiography rejected the rationalistic ...

German National Cinema is the first comprehensive history of German film from its origins to the present. In this new edition, Sabine Hake discusses film-making in economic, political, social, and cultural terms, and considers the contribution of Germany's most popular films to changing definitions of genre, authorship, and film form.The book traces the central role of cinema in the nation’s turbulent history from the Wilhelmine Empire to the Berlin Republic, with special ...

For sixty years, different groups in Europe have put forth interpretations of World War II and their respective countries’ roles in it consistent with their own political and psychological needs. The conflict over the past has played out in diverse arenas, including film, memoirs, court cases, and textbooks. It has had profound implications for democratization and relations between neighboring countries. This collection provides a comparative case study of how memories of World War II have...

Terror was central to the Nazi regime, and the Nazi concentration camps were places of horror where prisoners were dehumanized and robbed of their dignity and where millions were murdered. How did prisoners cope with the brutal and degrading conditions of life within the camps?In this highly original book Maja Suderland takes the reader inside the concentration camps and examines the everyday social life of prisoners - their daily activities and routines, the social relationships a...

In essays written jointly by specialists on Soviet and German history, the contributors to this book rethink and rework the nature of Stalinism and Nazism and establish a new methodology for viewing their histories that goes well beyond the now-outdated twentieth-century models of totalitarianism, ideology, and personality. Doing the labor of comparison gives us the means to ascertain the historicity of the two extraordinary regimes and the wreckage they have left. With the end of the Cold...

At the end of World War II, Germany was a broken nation. Split in two and occupied by the victorious Allies, it would have to be rebuilt, literally, from the rubble of its own defeat. Volumes of books have been published chronicling its structural and economic rebirth; this unique study reveals how Germany rebuilt itself culturally.Rubble Films is a close look at German cinema in the immediate postwar era, and a careful examination of its relationship to Allied occupation....

With a communicative approach to the phenomenon of terrorism and new archival sources, the book documents Meinhof's journalism and terrorism (1959-1976) and challenges many of the established narratives that have calcified around the story of Meinhof and the history of Germany's most infamous terrorist group.

Phantoms of War in Contemporary German Literature, Films and Discourse offers an up-to-date and comprehensive analysis of fundamental shifts in German cultural memory. Focusing on the resurgence of family stories in fiction, autobiography and in film, this study challenges the institutional boundaries of Germany's memory culture that have guided and arguably limited German identity debates. Essays on contemporary German literature are complemented by explorations of heritage films and muse...

In German Cinema – Terror and Trauma Since 1945, Thomas Elsaesser reevaluates the meaning of the Holocaust for postwar German films and culture, while offering a reconsideration of trauma theory today. Elsaesser argues that Germany's attempts at "mastering the past" can be seen as both a failure and an achievement, making it appropriate to speak of an ongoing 'guilt management' that includes not only Germany, but Europe as a whole. In a series of case studies, which consider the w...

Screening the East considers German filmmakers’ responses to unification. In particular, it traces the representation of the East German community in films made since 1989 and considers whether these narratives challenge or reinforce the notion of a separate East German identity. The book identifies and analyses a large number of films, from internationally successful box-office hits, to lesser-known productions, many of which are discussed here for the first time. Providing an in...

During the last decade, contemporary German and Austrian cinema has grappled with new social and economic realities. The “cinema of consensus,” a term coined to describe the popular and commercially oriented filmmaking of the 1990s, has given way to a more heterogeneous and critical cinema culture. Making the greatest artistic impact since the 1970s, contemporary cinema is responding to questions of globalization and the effects of societal and economic change on the individual.Thi...