Eggleston, the iconoclastic and colorful groundbreaker, imbues the mundane with vibrancy.This article appears in the Summer 2011 issue of Southern Cultures:The Photography Issue. “When the color photographs of William Eggleston first appeared at the Museum of Modern Art in 1976, the boldness of Eggleston’s palette and his disregard for the conventions of black-and-white photography were shocking; nearly all the major critics were scornful, and Ansel Adams wrote a scathing letter of protest...

Hailed by Zadie Smith and Ta-Nehisi Coates, this new edition of the celebrated contemporary work on race and racism “ought to be positioned at the center of any discussion of race in American life” (Bookforum).Most people assume racism grows from a perception of human difference: the fact of race gives rise to the practice of racism. Sociologist Karen E. Fields and historian Barbara J. Fields argue otherwise: the practice of racism produces the illusion of...

"Compton pushes us to look beneath the surface—past those comforting tales of nationhood and racial solidarity—to the more nebulous and ever-shifting truth. This is a brilliant and original work that should be mandatory reading for any student of race and history."—Danzy Senna, author of CaucasiaAfter Canaan, the first nonfiction book by acclaimed African Canadian poet Wayde Compton, repositions the North American discussion of race in the wake of the tumultuous t...

The Citizen Machine is the untold political history of television's formative era. Historian Anna McCarthy goes behind the scenes of early television programming, revealing that long before the age of PBS, leaders from business, philanthropy, and social reform movements as well as public intellectuals were all obsessively concerned with TV's potential to mold the right kind of citizen.Based on years of path-breaking archival work, The Citizen Machine sheds new light on the place of...

Black performance theory is a rich interdisciplinary area of study and critical method. This collection of new essays by some of its pioneering thinkers—many of whom are performers—demonstrates the breadth, depth, innovation, and critical value of black performance theory. Considering how blackness is imagined in and through performance, the contributors address topics including flight as a persistent theme in African American aesthetics, the circulation of minstrel tropes in Liverpool and...

The idea of "region" in America has often served to isolate places from each other, observes Douglas Reichert Powell. Whether in the nostalgic celebration of folk cultures or the urbane distaste for "hicks," certain regions of the country are identified as static, insular, and culturally disconnected from everywhere else. In Critical Regionalism, Reichert Powell explores this trend and offers alternatives to it.Reichert Powell proposes using more nuanced strategies that id...

From robber barons to titanic CEOs, from the labor unrest of the 1880s to the mass layoffs of the 1990s, two American Gilded Ages—one in the early 1900s, another in the final years of the twentieth century—mirror each other in their laissez-faire excess and rampant social crises. Both eras have ignited the civic passions of investigative writers who have drafted diagnostic blueprints for urgently needed change. The compelling narratives of the muckrakers—Upton Sinclair, Ida Tarbell, Lincol...

Educator, writer, critic, intellectual, film-maker-Henry Louis Gates, Jr., has been widely praised as being one of America's most prominent and prolific scholars. In what will be an essential volume, The Henry Louis Gates, Jr., Reader collects three decades of writings from his many fields of interest and expertise.From his earliest work of literary-historical excavation in 1982, through his current writings on the history and science of African American genealogy, the ess...

Through a reading of periodicals, memoirs, speeches, and fiction from the antebellum period to the Harlem Renaissance, this study re-examines various myths about a U.S. progressive history and about an African American counter history in terms of race, democracy, and citizenship. Reframing 19th century and early 20th-century African-American cultural history from the borderlands of the U.S. empire where many African Americans lived, worked and sought refuge, Knadler argues that these write...

In Magical Thinking and the Decline of America, Richard L. Rapson, a leading cultural historian, engages in a unique dialogue. Twenty years ago he wrote American Yearnings: Love, Money, and Endless Possibility. This book looked at large issues of the day from a historical perspective: show business, warlike behavior, love of money, science and religion, marital and sexual behavior, foreign policy, and more. He found everywhere in American life an exaggerated optimism that often led to seri...

As a young South African woman of about twenty, Saartjie Baartman, the so-called “Hottentot Venus,” was brought to London and placed on exhibit in 1810. Clad in the Victorian equivalent of a body stocking, and paraded through the streets and on stage in a cage she became a human spectacle in London and Paris. Baartman’s distinctive physique became the object of ridicule, curiosity, scientific inquiry, and desire until and after her premature death. The figure of Sarah Baartman was reduced ...

The New Cambridge Companion to William Faulkner offers contemporary readers a sample of innovative approaches to interpreting and appreciating William Faulkner, who continues to inspire passionate readership worldwide. The essays here address a variety of topics in Faulkner's fiction, such as its reflection of the concurrent emergence of cinema, social inequality and rights movements, modern ways of imagining sexual identity and behavior, the South's history as a plantation economy and soc...