In the 1960s the masters of crime fiction expanded the genre’s literary and psychological possibilities with audacious new themes, forms, and subject matter—here are five of their finest worksThis is the first of two volumes gathering the best American crime fiction of the 1960s, nine novels of astonishing variety and inventiveness that pulse with the energies of that turbulent, transformative decade.In The Murderers (1961) by Fred...

StardusterYes, I'm Max Andrews. I'm one of the guys who fought and bled and worked to get to Mars. I figure what I gave up in those early years gave me the right to pilot the next big jump.I've lied and stolen for that right. I'd have killed, too, but I didn't have to. Instead, I let a woman give her life so I could have my chance, my door to space.You think I'd stop at anything, now?I'll be on that rocket, blasting away on America's biggest adventure, the h...

One of the great pulp writers, Fredric Brown (1906-1972) combined a flair for the horrific, a quirky sense of humor, and a wild imagination, and published many classic novels in the mystery and science fiction genres. But he was also a master of the “short-short story,” tales only a page or two in length, but hard-hitting and with a wicked twist at the end. Nightmares and Geezenstacks (1961) collects 47 short gems by Brown, ranging from science fiction to noir crime to horror, inc...

Fredric Brown (1906-1972), one of science fiction's greatest masters from the Golden Age, is famous for his many classic short stories -- quite a few of which are presented here, including "Arena," "Knock," "Earthmen Bearing Gifts," "The Star Mouse," and many more. The 32 tales of science fiction and fantasy assembled in this massive volume include:ARENAEXPERIMENTKEEP OUTHAPPY ENDINGHALL OF MIRRORSEARTHMEN BEARING GIFTSIMAGINEIT DIDN...

Hall Of Mirrors by Fredric Brown.

An original and terrifying mystery by noir writer Fredric BrownOnce upon a time, a girl named Jenny Ames was murdered in a lonely house. No one knew where she had come from, or why she had died, or who killed her. Years later, a man moved into the same house—and discovered that nothing is more seductive than an unsolved murder.The Far Cry is another top Fredric Brown job—a most adroit, inventive, and utterly horrifying mystery.

BUG-EYED MONSTERS ON BROADWAYPulp SF magazine editor Keith Winton was answering a letter from a teenage fan when the first moon rocket fell back to Earth and blew him away.But where to? Greenville, New York, looked the same, but Bems (Bug-Eyed Monsters) just like the ones on the cover of Startling Stories walked the streets without attracting undue comment.And when he brought out a half-dollar coin in a drugstore, the cops wanted to shoot him on sight as an Arcturia...

Fredric Brown (1906-1972) is perhaps best remembered for his use of humor and his mastery of the "short-short" form (these days called flash fiction) -- stories of one to three pages, often with ingenious plotting devices and surprise endings. (He also wrote excellent short stories and novels.) This volume contains 27 of his stories, including the classics "The Waveries," "Honeymoon in Hell," "Cartoonist," and many more!Included are:THE WAVERIESOBEDIENCEALL G...

From These Ashes contains the complete short fantasy and science fiction of Fredric Brown except for two stories, "Gateway to Darkness," and "Gateway to Glory" which were rewritten to be parts of Rogue in Space. They are published, along with Rogue in Space, in the second Fredric Brown volume (novels) Martians and Madness.TABLE OF CONTENTSIntroduction by Barry N. MalzbergA Word from Our SponsorAbominableAelurophobeAll Good BEMsAnd the Gods L...

Vice and murder prowl Chicago--and one man hunts a killer through the glittering Gold Coast and seamy back alleys! Edgar Award Winner for Best First Novel (1948).

This audiobook is narrated by a digital voice.Experiment by Fredric Brown

A quiet afternoon ends without warning, and Norman Hastings finds himself alone in a sealed room with no past he can touch and no future he recognizes. Someone has taken his life apart and returned it to him piece by piece—minus the years that once made it meaningful. The room offers comfort, order, and an explanation, but none of them soften what he has already lost. What matters now is not how this happened, but why it was done to him.As the truth unfolds, Norman learns that the ...